Director: Roger Michell.
Cast: Rachel Weisz / Sam Clafin / Iain Glen / Holliday Grainger
Score: Rael Jones.
Cinematography: Mike Eley.
Content Advisory: PG 13 for some sexuality and brief strong language
Because I've been desperate to read the Daphne du Maurier book for ages, naturally I was excited to see the movie, too. I'm also a huge fan of Rachel Weisz. I had high hopes for the film.
Visually, it's stunning. The cinematography is excellent, the scenes well crafted, and the setting and landscapes magnificent. The direction is also very good, and the scenes are atmospheric.
But the script is poorly written. The film starts off extremely rushed, and we're flung into the story without nuanced development. The scenes are also discontinuous, and I personally think they could've been either rearranged or replaced with alternative sequences and the plot would've been tighter - better - for it. As it is, they feel like missed opportunities. It doesn't help that the pacing is odd, too.
I was so bored. The story is just dull. Because the scenes aren't taken to their full potential and the writing isn't brilliant, the whole story drags and every scene is slow. I wasn't gripped - I wasn't entertained. It's disappointing.
The story doesn't leave an impact. I was never certain what the theme was, or who I was supposed to be rooting for, or what I should have been thinking. It's not powerful enough; it dragged me along and showed me characters and incidents but I was never sure how I should react. I couldn't appreciate the content.
Sam Clafin's performance is good, but overwrought. He doesn't make an impression. Rachel Weisz, on the other hand, is intoxicating. She's ethereal, terrifying, seductive, and captivating. Her acting is spellbinding. She carries what she can of the boring story and almost makes the film worth watching.
But Weisz and Clafin have no chemistry. There's zero spark between them. I think this definitely contributes to the overall impression of their relationship, and took a lot away from its soul. I also don't like how little is seen of the progression of their characters' relationship; Rachel arrives, Philip sees her, and he's utterly charmed by her. There's no solid development to their romance. I wish we could've seen him slowly falling under her spell, but the story misses that.
My Cousin Rachel is beautifully filmed and led by a mesmerising Weisz, but otherwise it's insufferably boring and poorly plotted. It's a missed opportunity.